AishaYildirim
30-04-2008, 18:09
A wiec mam już ostateczne potwierdzenie :yeahhh:.
Magdy El-Leisy po raz pierwszy w Polsce!!!
Studio Tańca Copa Cabana ma zaszczyt zaprosić na warsztaty poprowadzone przez wybitnego nauczyciela i nietuzinkowa osobowość Magdy El-Leisy.
Jest jednym z tych wykładowców, na którego zajęciach podczas kairskich festiwali nie domykają się drzwi z nadmiaru chętnych.
08.08
18,.00 -21.00 "Modern Pop Baladi Dance" – średniozaawansowany i zaawansowany
09.08
10.00 – 13.00 "Classical oriental dance routine“ część I - zaawansowany i instruktorski;
15.00 – 18.00 "Spanish-Arabic Choreography" - średniozaawansowany i zaawansowany
10.08
10.00 – 13.00 "Classical oriental dance routine“ część II – zaawansowany i instruktorski;
15.00 – 18.00 "Stick/Cane Dance" - średniozaawansowany i zaawansowany
Wszelkie informacje i pytania: aisha@aishaorient.pl
Jesteśmy jeszcze w fazie negocjacji finansów więc wszelkie informacje o kosztach pojawią sie w okolicach czerwca.
Biografia Magdy’ego (obiecuję przetłumaczyć w chwili wolnego czasu)
Magdy El-Leisy
Place of birth: Cairo
Schooling: State Academy for Music and Dance, Cairo
Engagements: Egyptian National Ballet Cairo - National Ballet of Iran –
State Theatre of Karlsruhe - Gärtnerplatz Theatre of Munich - Theatre of Essen
Since 1985 dancer, teacher und choreographer for oriental dance
Magdy El-Leisy comes from a family of teachers. His father was school director in Cairo. His first activities were in a sport club, where his interests then developed and led him to ballet. Since 1959, there is an Academy for Music and Theatre, with a department in ballet in Cairo. This school was established under russian supervision. From 2600 candidates for the entrance examinations to school was Magdy one of six boys and eleven girls accepted.
Magdy El-Leisy began his systematic training at the age of nine, and completed his studies as best student of his class in 1971. At the age of eleven, Magdy was already participating in performances at the Cairo Opera. He has nostalgic memories of this time, because a few years later this magnificent opera house burned completely to the ground. The opera was a totally wooden construction built for the opening of the Suez Canal at the end of the 19th century.
With members of the first graduating classes of the State Academy for Music and Dance, the Egyptian National Ballet of Cairo was founded. Magdy El-Leisy was engaged in this company until 1976, where he then joined the National Ballet of Iran in Teheran. In Teheran he danced the role of “Mercutio” in “Romeo and Juliet”, and together with Nina Brzorad in “Carmina Burana”, choreographed by John Butler.
Because of the revolutionary disturbances in Iran at this time, Magdy El-Leisy left Iran and went to Germany. He performed in 1979 with the State Theatre of Karlsruhe, and in 1980 with the Theatre on Gärtnerplatz in Munich. Since 1981 Magdy El-Leisy has been with the Ballet in Essen. 1994 Magdy stoped his career in ballet, to work only for the oriental dance.
Beside his career in ballet, Magdy El-Leisy has danced egyptian folklore with many well known artists in theatre, film and television productions, including Nagwa Foad and Kamal Naim. He has travelled to many arabic and european countries with the egyptian folklore troupe of Kamal Naim. With his broad experience and background in ballet and folklore, Magdy, together with his wife Azza, founded an arabic folklore group upon his arrival in Germany.
Magdy El-Leisy:
„I want to introduce the western audience to the oriental art and arabic folklore. In order to make this culture more understandable, I have chosen choreography and music especially to suit the western taste.
With my experience in ballet and folklore, I have been able to combine the ballet technique with the original oriental folklore and therefore make a more interesting presentation possible. Nevertheless, the movements and music for all of the dances are taken from the ancient, traditional egyptian and arabic folklore. In order to provide the high quality of the dances, I work only with professionally trained dancers. My program includes, beside the Belly Dance, a large variety of arabic folklore dances.
The Stick Dance of south of Egypt “Saidy”, belongs to the ancient folklore and is often danced at folk festivals and weddings. The strength and pride of the men is presented symbolically in a struggle with the sticks, whereas the women dance with much charm and femininity.
In the “Bambotia”, coming from the Suez Canal area, is shown how the simple people in their boats exchange wares with the big steamships, singing and dancing merrily after a days work.
A comical dance from old Cairo relates the flirting of “serious” men with a veiled Lady
In the well known “Dabkeh”, which also belongs to the colourful program, the professionally trained male dancers are able to display their technical skills.
My goal is to bring the western audience closer to the oriental dance. I have
therefore developed my own method of teaching belly dance and folklore in
egyptian style. In this way, I hope that my message will reach the audience and
benefit those wishing to learn the art of oriental dance.”
Magdy El-Leisy po raz pierwszy w Polsce!!!
Studio Tańca Copa Cabana ma zaszczyt zaprosić na warsztaty poprowadzone przez wybitnego nauczyciela i nietuzinkowa osobowość Magdy El-Leisy.
Jest jednym z tych wykładowców, na którego zajęciach podczas kairskich festiwali nie domykają się drzwi z nadmiaru chętnych.
08.08
18,.00 -21.00 "Modern Pop Baladi Dance" – średniozaawansowany i zaawansowany
09.08
10.00 – 13.00 "Classical oriental dance routine“ część I - zaawansowany i instruktorski;
15.00 – 18.00 "Spanish-Arabic Choreography" - średniozaawansowany i zaawansowany
10.08
10.00 – 13.00 "Classical oriental dance routine“ część II – zaawansowany i instruktorski;
15.00 – 18.00 "Stick/Cane Dance" - średniozaawansowany i zaawansowany
Wszelkie informacje i pytania: aisha@aishaorient.pl
Jesteśmy jeszcze w fazie negocjacji finansów więc wszelkie informacje o kosztach pojawią sie w okolicach czerwca.
Biografia Magdy’ego (obiecuję przetłumaczyć w chwili wolnego czasu)
Magdy El-Leisy
Place of birth: Cairo
Schooling: State Academy for Music and Dance, Cairo
Engagements: Egyptian National Ballet Cairo - National Ballet of Iran –
State Theatre of Karlsruhe - Gärtnerplatz Theatre of Munich - Theatre of Essen
Since 1985 dancer, teacher und choreographer for oriental dance
Magdy El-Leisy comes from a family of teachers. His father was school director in Cairo. His first activities were in a sport club, where his interests then developed and led him to ballet. Since 1959, there is an Academy for Music and Theatre, with a department in ballet in Cairo. This school was established under russian supervision. From 2600 candidates for the entrance examinations to school was Magdy one of six boys and eleven girls accepted.
Magdy El-Leisy began his systematic training at the age of nine, and completed his studies as best student of his class in 1971. At the age of eleven, Magdy was already participating in performances at the Cairo Opera. He has nostalgic memories of this time, because a few years later this magnificent opera house burned completely to the ground. The opera was a totally wooden construction built for the opening of the Suez Canal at the end of the 19th century.
With members of the first graduating classes of the State Academy for Music and Dance, the Egyptian National Ballet of Cairo was founded. Magdy El-Leisy was engaged in this company until 1976, where he then joined the National Ballet of Iran in Teheran. In Teheran he danced the role of “Mercutio” in “Romeo and Juliet”, and together with Nina Brzorad in “Carmina Burana”, choreographed by John Butler.
Because of the revolutionary disturbances in Iran at this time, Magdy El-Leisy left Iran and went to Germany. He performed in 1979 with the State Theatre of Karlsruhe, and in 1980 with the Theatre on Gärtnerplatz in Munich. Since 1981 Magdy El-Leisy has been with the Ballet in Essen. 1994 Magdy stoped his career in ballet, to work only for the oriental dance.
Beside his career in ballet, Magdy El-Leisy has danced egyptian folklore with many well known artists in theatre, film and television productions, including Nagwa Foad and Kamal Naim. He has travelled to many arabic and european countries with the egyptian folklore troupe of Kamal Naim. With his broad experience and background in ballet and folklore, Magdy, together with his wife Azza, founded an arabic folklore group upon his arrival in Germany.
Magdy El-Leisy:
„I want to introduce the western audience to the oriental art and arabic folklore. In order to make this culture more understandable, I have chosen choreography and music especially to suit the western taste.
With my experience in ballet and folklore, I have been able to combine the ballet technique with the original oriental folklore and therefore make a more interesting presentation possible. Nevertheless, the movements and music for all of the dances are taken from the ancient, traditional egyptian and arabic folklore. In order to provide the high quality of the dances, I work only with professionally trained dancers. My program includes, beside the Belly Dance, a large variety of arabic folklore dances.
The Stick Dance of south of Egypt “Saidy”, belongs to the ancient folklore and is often danced at folk festivals and weddings. The strength and pride of the men is presented symbolically in a struggle with the sticks, whereas the women dance with much charm and femininity.
In the “Bambotia”, coming from the Suez Canal area, is shown how the simple people in their boats exchange wares with the big steamships, singing and dancing merrily after a days work.
A comical dance from old Cairo relates the flirting of “serious” men with a veiled Lady
In the well known “Dabkeh”, which also belongs to the colourful program, the professionally trained male dancers are able to display their technical skills.
My goal is to bring the western audience closer to the oriental dance. I have
therefore developed my own method of teaching belly dance and folklore in
egyptian style. In this way, I hope that my message will reach the audience and
benefit those wishing to learn the art of oriental dance.”